Download Soundgarden - Screaming Life / FOPP (1987) [FLAC] torrent or any other torrent from Lossless category. • Artist: • Album: (Jun 8, 1990) • Format: flac - lossless • Summary [Last.fm]: Soundgarden was a seminal seattle rock band who helped to define the sound that came to be called grunge. Despite starting years earlier, and having a sound that more closely resembled Black Sabbath or Deep Purple than their contemporaries, they are usually considered one of the 'big four' of the '90s Seattle grunge bands, along with Alice in Chains, Nirvana and Pearl Jam. History • • Albums:,,,,. 10 Soundgarden - Fopp (DUB).flac 43.05 MB 02 Soundgarden - Entering.flac 27.91 MB 06 Soundgarden - Hand of God.flac 26.76 MB 05 Soundgarden - Little Joe.flac 25.95 MB 04 Soundgarden - Nothing to Say.flac 23.67 MB 09 Soundgarden - Fopp.flac 22.44 MB 07 Soundgarden - Kingdom of Come.flac 16.38 MB 01 Soundgarden - Hunted Down.flac 16.05 MB 08 Soundgarden - Swallow My Pride.flac 14.29 MB 03 Soundgarden - Tears to Forget.flac 12.67 MB Screaming Life - Insert.jpg 1.88 MB Screaming Life - Cover.jpg 409.92 KB Screaming Life - Back.jpg 242.48 KB folder.jpg 88.57 KB Rip Info.txt 6.01 KB. Close Soundgarden - Screaming Life / Fopp (1990) [Remastered 2013] FLAC (tracks) 24 bit/96 kHz| Time - 40:29 minutes| 907 MB Studio Master, Official Digital Download| Artwork: Front cover Soundgarden's seminal debut mini-album from 1987, remastered by Jack Endino from the original master tapes. With bonus tracks from Fopp EP (1988), and bonus track 'Sub Pop Rock City'. From the depths of the Sub Pop archives comes a reissue of Soundgarden’s thunderous opening salvo, Screaming Life, plus bonus tracks from the Fopp EP and Sub Pop 200 compilation. This reissue marks the first time these tracks will be available digitally. All tracks have been remastered for maximum power by JJ Golden and Seattle studio wizard and producer of the original Screaming Life and Sub Pop 200 sessions, Jack Endino. “Ah, Screaming Life, Soundgarden’s debut, and one of the first real records I made for anyone outside my own band. I already knew Soundgarden pretty well, since they and Skin Yard had shared the stage many times in Seattle’s tiny club scene circa 1985-1986. Kim lived near me and liked to stay up late, drink beer, and talk guitars and ontology. I had a basement 4-track setup and had done some demos for them and others. Both our bands had been on Chris Hanzsek’s Deep Six comp LP. When a local recording studio, Triangle Recording, unexpectedly closed (the owner suddenly took his gear and moved to Montana), I called Chris with this hot tip, and we took over the empty building, renaming it Reciprocal Recording in July 1986. Chris Hanzsek brought his Otari eight-track recorder; I brought all my friends in bands, and soon there I was with Soundgarden, trying to make the most of our eight tracks. Sub Pop was still in the “planning” stages, so Soundgarden was spending their own money at a terrifying 15 bucks an hour, which would almost buy you a house on Mercer Island back then. Matt Cameron, who starved for a year in Skin Yard before leaving amicably and ending up in Soundgarden, is credited cryptically with ‘bonus tubs’ on the original vinyl release of this record. Do not ask him about Killer Tomatoes. You can point one microphone at Matt and it will sound great; he’s that kind of drummer. Now, happily, I could allot him three (3) tracks. That left one track for Hiro’s primordial Fender jazz bass, and a luxurious four tracks left to share between Kim’s mad guitar psychedelia and Chris Cornell’s still-expanding voice. On this record, you can hear Chris experimenting with his singing as he starts to realize how much range he has to play with. “Nothing To Say” was the song that made us all look at each other and go, “Uh, holy crap, how did we do this?” Stuff started happening.
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Март 2019
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